DRAKE LOVE QUOTES

quotes

Mention or refer to (someone or something) to provide evidence or authority for a statement, argument, or opinion
Repeat a passage from (a work or author) or statement by (someone)
(quote) quotation mark: a punctuation mark used to attribute the enclosed text to someone else
(quote) name the price of; “quote prices for cars”
Repeat or copy out (a group of words from a text or speech), typically with an indication that one is not the original author or speaker
(quote) repeat a passage from; “He quoted the Bible to her”

drake

A male duck
Dracula is a fictional character, a comic book supervillain in the Marvel Comics universe. He is based on the vampire Count Dracula from the novel of the same name by author Bram Stoker, and is also influenced by Universal Studios’ version of the character.
adult male of a wild or domestic duck
English explorer and admiral who was the first Englishman to circumnavigate the globe and who helped to defeat the Spanish Armada (1540-1596)

love

a strong positive emotion of regard and affection; “his love for his work”; “children need a lot of love”
have a great affection or liking for; “I love French food”; “She loves her boss and works hard for him”
any object of warm affection or devotion; “the theater was her first love”; “he has a passion for cock fighting”;
An intense feeling of deep affection
A personified figure of love, often represented as Cupid
A deep romantic or sexual attachment to someone

drake love quotes – All That

All That Heaven Allows (The Criterion Collection)

Jane Wyman is a repressed wealthy widow and Rock Hudson is the hunky Thoreau-following gardener who loves her in Douglas Sirk’s heartbreakingly beautiful indictment of 1950s small-town America. Sirk utilizes expressionist colors, reflective surfaces, and frames-within-frames to convey the loneliness and isolation of a matriarch trapped by the snobbery of her children and the gossip of her social-climbing country club chums. Criterion is proud to present this subversive Hollywood tearjerker in a new Special Edition.

Rock Hudson and Jane Wyman were so successful in Douglas Sirk’s Magnificent Obsession that they reteamed for this, his first melodrama masterpiece. Young hunk Rock is a strapping son of mother nature, a gardener who woos middle-aged, middle class widow Wyman to the snooty disapproval of her conservative social circle and embarrassment of her self-centered children. Wyman discovers a new life with his open-armed friends and back-to-nature lifestyle, but struggles with life-changing decisions in the face of social pressure and vicious gossip. Living the Henry Thoreau dream, Rock inhabits his personal Walden in a rustic country cabin by a bubbling brook, a dream house lit by a giant picture window overlooking an idyllic countryside where deer pose just outside the window. Wyman’s elegant but sterile suburban home transforms into a tomb when she sacrifices her love for the “good name” of her children, and the lonely widow sees her future in the pale, colorless reflection of her TV screen. But don’t despair just yet: Sirk’s heroines are dynamic and resourceful and no Sirk melodrama ends without a heart-tugging, over-the-top twist. German director Rainer Werner Fassbinder, who championed Sirk as a master and a mentor, remade the film as Ali: Fear Eats the Soul decades later. –Sean Axmaker

three three

kind of a follow up to yesterday’s post. yolo (you only live once) is from the motto by drake. i was just messing around with stickers, and well, this is what happened. today was yet another day where i did nothing. from yesterday until today i have been listening to music nonstop. whether it’s been on the computer or my ipod/ipad/iphone, i have literally not stopped and i love it.
quote: all music is beautiful.

'maybe its time to put this pussy on your sideburns'

i love your sushi roll
hotter than wasabi
i race for your love
shake n bake; ricky bobby.
♫♪ ♪♩♫♪ ♪
.. LOL i had to i love that song.

drake love quotes

From Martha Gellhorn’s critically acclaimed biographer, the first collected letters of this defining figure of the twentieth-century

Martha Gellhorn’s heroic career as a reporter brought her to the front lines of virtually every significant international conflict between the Spanish Civil War and the end of the Cold War. While Gellhorn’s wartime dispatches rank among the best of the century, her personal letters are their equal: as vivid and fascinating as anything she ever published.

Gellhorn’s correspondence from 1930 to 1996–chronicling friendships with figures as diverse as Eleanor Roosevelt, Leonard Bernstein, and H. G. Wells, as well as her tempestuous marriage to Ernest Hemingway–paint a vivid picture of the twentieth century as she lived it.

Caroline Moorehead, who was granted exclusive access to the letters, has expertly edited this fascinating volume, providing prefatory and interstitial material that contextualizes Gellhorn’s correspondence within the arc of her entire life. The letters introduce us to the woman behind the correspondent–a writer of wit, charm, and vulnerability. The result is an exhilarating, intimate portrait of one of the most accomplished women of modern times.